I don't even know if I'll make it through this post.
Today was photo shoot and dress rehearsal day. We started at about 12, and the actors trickled in for the next few hours depending on their call times. The amazing Karen Gorga was there, adjusting everyone's outfits, sewing things, cutting things, whatever needed to be done. Jenn was amazing with doing makeup and hair, and Genell did a beyond kickass job of Julia's hair. Basically, everyone looked really good. Two of the ladies' dresses are sitting at the post office and they have to be picked up tomorrow. Marilyn's and Elizabeth's dress, to be exact. In the meantime, we had Elizabeth in a red dress and Marilyn in a really simple black dress that Jenn happened to bring along. The photos looked outstanding. Everyone nailed the expressions.
I took the actors into another room one on one while others were getting ready, and we discussed their characters, worked on their voices, and discussed specific lines. Everyone is really great to work with; no attitudes, no weird issues.
Then the guys came, and we threw their pants and shirts on them. Their pants need severe altering because of the really weird style of pants back then, and we still need to buy vests for the guys so they don't look like their in an orchestra, as Jenn says. We did photoshoots with couples, and then group shots. I had 30's jazz playing in the background and they had these bright lights on them. It was pretty crazy. I think that's when everything officially started coming together, and then sky rocketed past any expectations I had.
Then we shifted base to Ross Commons where we're actually filming everything. I'd like to take this moment to bitch about company moves. A company move, in case you're not familiar, is when you pack everything up and shift the cast and crew to another location. I hate packing. I'm awful at it, and I just hate doing it. That's what a company move is. A lot of packing, moving, unpacking, and packing it up again. It's awful.
Once we got to Ross, the immediate concern was that we had to ask the union guys to move the couches; apparently it's something only they can do. It's the stupidest thing I've ever heard. We pay 35,000 bucks at least to go here, and we can't move a couple of couches in a building that's FOR the students? I'm starting to think I don't like unions. Anyway, I kicked out whoever was in the room because it was reserved for us, and of course one of the guys bitched about it. Then I found the building manager and told her that we needed union guys to move our stuff. She gave me a funny look and told me I could just move things myself. I didn't get her name, but she made my life 90 million times easier. So Josh Genell and I fixed up the room and put out whatever props we brought along. We only brought about 1/4 of the props that we have, and the place still looked great. Jenn set up the food for everyone and all the actors had their dinner in costume. We relaxed for about 10 minutes and then started blocking.
I didn't know this, but we started blocking an hour later than we were supposed to. It's hard blocking these two scenes because everyone is doing something different at random times, so it's a lot to keep track of. It was fun though. I felt like there were all these really great elements sitting around, unconnected to each other. The blocking felt like I was connecting the dots; people started to get what things meant in the script, they were making sense of their movements, and they were all getting to be on the same page. And we ended the night at 9:30 on the dot. Just like we had planned.
For one, it's an eclectic group of actors. The performances range across the board; some people need no guidance and just take the role and make it their own. Others are still good, but I just need to guide them more. It's so tricky because it's period, and it's hard enough to get into a character, but to add voice modulation and mannerisms to the mix and you have yourself a heavy load of work. They'll get it.
Sounds like it went well, correct? Well I think it did too. Although I don't have an overwhelming sense of satisfaction. And I think it's good that I don't. Because then I won't rest on my stupid proverbial laurels and let things fall apart. To quote Chandler Bing, I need 'the fear.' I think that'll help me make it the best it can be. This crew though, seriously, is really great. I'm not going to be super cornballish and gush on about them. But yeah, really really great. I think I'll save my gushing for when I present the final product.
My lower back hurts, which means I'm tired. I didn't realize that all I had all day was cheese and water. I guess I got really into it. I think this is all that needs to be said. I can't believe I have to deal with a regular college student schedule for the next 5 days. I'd rather just be dealing with this project from now until it wraps. But hey, that's a good thing.